The new app and extension were created to work across all Apple platforms running OS X El Capitan and BeFunky Express will be offered as a free tool. Taking those tools and developing advanced versions of each providing the user the best end result in the fewest clicks necessary.īorrowing from iOS, Photos for OS X in El Capitan will include the addition of third party editing tools, giving users the ability to make edits to images with BeFunky's tools, off-line and without ever leaving the Photos app. Utilizing Data from its millions of monthly users the Team was able to identify the best options for tools to include in the initial release. In typical BeFunky style, the entire team was assembled and work began and in 3 short months a new extension and app were developed, tested, and refined. Discussions and planning began after an Apple Engineer brought the Photo Editing & Design tool to the attention of management with the suggestion that they be invited to build an app and extension for Photos. 1, 2015 - (PRNewswire) - BeFunky, a leader in online Photo Editing and Design, announced today the release of BeFunky Express, a downloadable App and Extension, developed specifically for Mac and OS X El Capitan, BeFunky Express pairs perfectly with your Photos App for an unparalleled photo editing experience.īeFunky Express Photo Editor has all the tools you need to quickly and easily create stunning selfies, fix family photos, liven up landscapes, and more!Īrmed with 45 million active monthly user visits, an impressive array of Awards and 8 years of startup stealth, BeFunky was ready for the next step with Apple. Personnel: Madeleine Peyroux, vocals, guitar John Herington, electric guitar, vocals Barak Mori, bass.PORTLAND, Ore., Oct. Secular Hymns: Got You On My Mind Tango Till They’re Sore The Highway Kind Everything I Do Gonh Be Funky (From Now On) If The Sea Was Whiskey Hard Times Come Again No More Hello Babe More Time Shout Sister Shout Trampin’. A call-and-response between Peyroux and the boys underscores the song’s humorous put-down of male foibles. Rosetta Sharp’s “Shout Sister Shout” is the album’s most exuberant workout. The guitar and bass bring some low-key funk to “Everything I Do Gonh Be Funky (From Now On).” After her sultry delivery of the verses, Peyroux steps back to let her bandmates trade some buoyant licks. Mori and Herington slip into a reggae groove on Linton Kwesi Johnson’s “More Time.” Peyroux darts in and out of time, with Herington’s bluesy noodling giving things a little boost. The trio includes a few uptempo numbers in the set. She drops into her lower register to give the usually uplifting chorus a prickly, downward spin. Herington’s guitar adds blue, sliding, sustained notes that echo the crying tone of a steel guitar to support Peyroux’s somber vocal. Stephen Foster’s “Hard Times Come Again No More” is usually played at a tempo that alleviates its sad poetry. Her quiet reading of “The Highway Kind,” Townes Van Zandt’s memo to a woman he may never meet, makes the lyric sound even more hopeless than Van Zandt’s weary original. The wooden roof of the small cathedral brings a warm, natural reverb to Peyroux’s voice, lending these live performances a universal appeal. She made this album with her touring group-electric guitarist John Herington and acoustic bass player Barak Mori-in an English church built in the 12th century. She doesn’t have to raise her voice to express the conflicted emotions that mark the human condition. Madeleine Peyroux’s reputation is based on the understated passion of her singing. Madeleine Peyroux Secular Hymns (Impulse/Verve)
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